Use Your Intuition for Podium Recognition

imagesIntuition is the gut feeling or insight that we all experience, but too often we allow our intellect to overrule the ‘sotto voce’ in our heads.

Many emergency workers whose job it is to keep people safe, trust their intuition inexplicably and act upon it immediately without questioning.  Like the story of the firefighter, who dousing a seemingly easily managed fire, knows instantly at gut level that he has to get out of the building.  He makes it out just in time to witness the building’s massive collapse and its eruption into a blazing inferno.

Intuition is an immediate knowing, a first flush of thought before the intellect tries to reason it out. It provides us with a sense of knowing that this is the right or wrong course to take, the decision to make or the person to trust or distrust.

Albert Einstein, a believer in the power of imagination and intuition said  “The intuitive mind is a sacred gift and the rational mind is a faithful servant.  We have created a society that honors the servant and has forgotten the gift”.

6In public speaking, intuition will unfailing guide you to a greater speech and a more dynamic performance.  Use intuition to edit your speech and guide your choice to pick the holistic memory chunks or prompts to keep you on track at the lectern.  Use your intuition to measure the response of the audience so that you can refine or add to your words if needed.  At question time let it direct you diplomatically in your response to each of the questions

Encourage your intuitive ability  by choosing to become more aware of that gut feeling, that small voice in your head.  Challenge yourself to identify  who may be on the caller on phone when it rings or when standing at a bank of elevators ask which one will arrive first.  So at first you maybe wrong – but the more you practice the intuitive message becomes undeniably evident.

 Mary Atkins – Author of the definitive self-help guide to public speaking  Finding Your Voice – ten steps to successful public speaking.    Available in two editions  (same content but different covers) throughout the world and now on Kindle.

finding-your-voice1

Or you can purchase the book direct from me $A25 plus postage –  go to Contact Me on this website.

 

 

Advertisement

I Want What She Has – Charisma

UnknownCan you transform a person from a pedestrian, competent speaker into a compelling charismatic orator? The answer is yes you can.

For the past thirty years I have trained food professionals and media celebrities to find their voice, worked with keynote speakers to hone their presentations, adjudicated school debates, organised food and wine conferences with speaking and entertainment programs that left the audience wanting more and produced live cooking shows using the talent of Australia’s leading chefs and celebrities. As the author of Finding Your Voice – 10 Steps to Successful Public Speaking and an award winning speaker I can say, without false modesty – I know what it takes for a speaker to light up the auditorium.

Is it enough  to articulate well, present your facts logically and perform capably? With preparation and practice any speaker will become a competent speaker. An audience will appreciate these speakers’ efforts but will this adequate proficiency stay with them?

Don’t you want the audience to leave the building with your name on their lips and your message in their hearts?

This magic ingredient that lifts you from the mundane is your style, your brand, your charisma.

First lets look at how charisma (from the Greek meaning gift) is defined by others who have a vested interest in understanding this characteristic. Research from psychologists, talent scouts and even a high-powered charisma coach showed that there is no chutzpah fairy Godmother at our birth randomly waving her DNA wand – ‘here Norma Jean and Oprah a bucket-gene-full of compelling-appeal for you gals but none for you lot.’ They agreed that charisma can be a learned behaviour.

Common characteristics they identified were:

  • Emotional expressiveness – in other words allowing yourself to be vulnerable.
  • Empathy with others – socially sensitive
  • Exuding joy and warmth
  • Being present in the moment, being in the flow
  • Confidence
  • Stand firmly in your power
  • Mirroring others body language
  • Accepting your introversion or inadequacies
  • Voice – a measured tempo and lowering your intonation at the end of the sentence.

So the promise is –  if you practice standing chest out, shoulders back, arms wide you are seen as powerful. If you practice being in the moment, being socially aware and caring you will be flagging your empathy. If you accept your inadequacies and use visualisation techniques to boost your moral you will overcome and be centred and strong. If you risk telling others a secret or a weakness you will have emotionally connected with another. If you mirror others body movements then they will like and trust you. And if you train yourself to lower your voice, present in a measured way and put warmth in your voice from a smile on your dial you will have achieved the holy grail of panache gravitas – yes, yes, yes  – charisma.

To me the most important things in this worthy research is that when you have the courage to accept your shadow and light and  be vulnerable where all barriers are down, firm in your stance of bugger what the world is deciding about you – you are authentic. You have no need to fudge emotional and social expressiveness and sensitivity that becomes a taken. You will be in the present. You will naturally stand in your power and your voice takes on its own dimension of authority.

Consider comedian Billy Connolly who exudes high-octane charisma as he invites us into his fragile world. Even though his language would normally offend we don’t mind in fact see it as part of his charm as we rock and lock into his brand of humour. This man is no oil painting there is no glossy image, he looks as though he could do with a good hair and beard trim but we don’t care he gives us unfettered admission into his spirit. His transparent spirit of mischief and joy, making light of his foibles and life wounds connects  us at a deep level of consciousness.

Is it worth the risk of being true to yourself? You betcha. Just ask any speaker who has crossed the divide between platform and audience. ‘It is like holding the audience in the palm of your hand,’ said one speaker glorying in the joy of connection.

finding-your-voice1

 

*Want to know more?  Read my previous post  ‘The Path to Your Real Self’

* For Millennials  – substitute Russell Brand for Billy Connolly!

 

 

 

 

2 + 2 In My Case = Dyscalculia

numberjumbleI am good at denial. I have a clear compassionate understanding of others but when it comes to me denial is a comfortable hiding place. But the nice thing about aging is that being vulnerable is no longer fearsome.  Owning up to who you are is intensely freeing.

For years my lack of mathematical ability, confused, confounded and shamed me. At last I understand why. It seems I am Dyscalculic.

Dyscalculia as defined by the Department of Education: ‘a condition that affects the ability to acquire arithmetical skills. Dyscalculic  learners may have difficulty understanding simple number concepts, lack an intuitive grasp of numbers, and have problems learning number facts and procedures. Even if they produce a correct answer or use a correct method, they may do so mechanically and without confidence.’ (Literacy- Dyslexia)

For all of my adult life I have fudged my way through the simplest of arithmetic. I don’t connect with numerals logically or intuitively. I am all at sea when people start talking numbers. Whether the talk is tens or hundreds of thousands or discussion of temperature conversions from Celsius to Fahrenheit, or feet and inches to metres the value and worth of the numbers means nothing to me. I am powerless to contribute intellectually, as numbers are not like words where at will I can use, exploit and comprehend.

Like all people who have a form of illiteracy you learn to compensate and hide your lack of ability. I got by through the years, working and running a successful business, I protected my inadequacy with delaying strategies in any financial negotiations. ‘Let me get back to you,’ rolled off my tongue sweetly and swiftly if anything nearing finance was introduced in a meeting. If I had to speak of figures or percentages they were frozen into my mind with repetition and I desperately hoped no one would question them. Often I was caught out in my written work with constant peccadillos of reversing numbers but I bluffed them off as typos and blamed my high school geography mistress saying that she started my ‘bad’ habit by demanding map references be reversed.

Over the years I have hidden my shame of being ignorant. Only softening my self-bludgeoning with the rational that WW2 had severely disrupted my early education; after all I can do simple mathematics and others would never know the depth of my inadequacy. Guilt was another companion – I believed it was my fault, if I applied myself more at school I would probably be more capable.

Yes I can add up – very diligently and subtract ever more carefully and slowly. I know my multiplication tables, drummed into me as a child but I know them by rote and have no flexibility of giving an answer to what are 7 x 9 without reciting the whole of the table and if you were to follow with a 9 x 7 question I would still silently go through the 9 times table to make sure it was the same answer. Addition or subtraction always required sitting down with a paper and pen with infantile double upon double checks to make sure I had got it right. Division, percentages and other calculations are about as understandable as a black hole to me.

I have relatively mastered reading numbers in the thousands, providing that tens and hundreds of thousands have the prescribed comma denoting their worth but without that I am in a foreign land. If I have to talk numbers in a presentation I write them out fully (i.e. four hundred thousand) so when I’m under stress the numbers are not simply gobbly-goop jumping around on the page waiting for me to rope them in hoping they are in the right order. Over the last years with rising prices of property and lottery wins imagine my escalation of anxiety that speaking about millions and billions that are now commonplace. I simply will not document millions, I have absolutely no idea how many zeros are needed and if you were to tell me today, by tomorrow it would have no meaning.

Dyscalculia also affects me spatially. I could write books on getting lost by interpreting Street Directory maps and forget entirely me making sense of architectural or any other kind of plans they are like The Enigma Code.

No more pretense – I have faced my demons and taken ownership of my incapacity. I am no longer burdened with trying to be more than I am. I feel good, in fact very good indeed.

The flip side of this disclosure is that people that suffer dyslexia or dyscalculia are often found to be highly intelligent people. There is always a silver lining don’t you think?

 

 

Mystical union between a speaker and audience

Punchy, quality content must be a taken for any speech of merit but it is in the delivery that the true mettle of the speech will be proven.

Speaking Clubs offer regular speaking practice  and this will develop lectern confidence.  If you  couple this with learned techniques, like the pause, rhythm and colour in the voice to emphasis your message you will become a speaker of some competence.

I think the difference between a competent speaker and a memorable one is the individual who creates, what can only be termed as, a mystical union between him/her self and the audience.

This charismatic difference is found in a speaker who is authentic, completely warts and all true to his/her self.  Sometimes it needs a bit of coaching to push past our ego that wants to be seen as the dynamo at the lectern. It takes courage to accept the fact that you aren’t perfect. But when you are  unafraid to step into your authentic signature style – the audience will recognise the integrity of your language, posture and intent. They will reward you  with their responsive energy and you the speaker will experience the joy of  holding an audience in the palm of your hand.

Pet peeves. Speakers who do not run to time, complacent speakers who think they can wing it or use  jargon – so elitist.  Speakers who shy away from using a microphone,  read from their notes with no eye contact, But my all time head banging irritation is the rising inflection. No ladies and gentlemen it is not nerves that makes the voice squeak  it is a habit which is a barrier to the effectiveness of your communication. While the audience is still hanging with the question mark tremor at the end of your sentence that’s all they hear. It’s a habit a silly habit, record and listen to it and make an effort to quit it.

Here ends today’s lesson folks!

 My book ‘Finding Your Voice – Ten steps to successful public speaking’ in 2005. encapsulated  four decades of my speaking, training/coaching, speaker management and evaluation passion. Promoted by the publisher Lothian  as the definitive self-help guide to public speaking.

Friday Public Speaking Tips – Telling Your Story

microphone
Your Running Mate

 

Telling your story is  a powerful strategy to connect with your audience. A motivational speaker will use their personal story to preface and enhance the core message of their presentation. But opportunities for telling your story are not limited to motivational speaking often speakers are called upon to talk about themselves or their work.    3 tips  for an effective presentation.

Planning the content – what are the pivotal parts of your story that uplift, illuminate or demonstrate who you are.  Remember that the audience does not need to know the warts ‘n all boring bits

Develop the key points of the story.  It is not enough to say I was an dyslexic child with low self-esteem, flesh it out more, give the audience examples of how it felt.  Have the courage to be in touch with your emotions. Audiences respond always to truth, honesty and authenticity.

Respect the telling of your story –   it has valuable life  lessons that you have learned so give it the respect it deserves.  Slow your pace, use fearless eye-contact  and pause for emphasis.  Rehearse and rehearse the speech until flows easily.  A little self-deprecating humour is a great ingredient to add to the mix if the material is overwhelming.

 

I want to join the circus

I love the circus. Cirque du Soleil has trounced all of the homespun touring circuses of the recent past with their reliance on animal acts of lions, tigers and bejewelled elephants. Recently I visited the oldest touring circus in Australia. Joseph Ashton founded the family circus dynasty in 1853 and today the family has adapted the traditional acts to encompass new skills of physical daring.

Over the past two decades animal activists have lobbied hard to secure the release of performance animals from circuses. The Ashton family was faced with change or perish. now they have only two animal acts – dogs and stallions. Instead the circus family members from toddlers upwards pride themselves on a range of acrobatic, wire walking, juggling, trapeze and clown skills. Their tight little community multi tasks from box office duties, ring maintenance and selling hot chips and popcorn. All dedicated, all focused to continue the life of entertaining their audience. They will do what it takes to upscale their skills and come up with new acts to replace old, to compete with the high-tech glamour of Cirque du Soleil.

One act performed on the slack wire I found encapsulated the joy of a circus performer, with each new daring feat I saw how present in the moment the performer had to be to maintain his balance. The circus community pulls together and whether they are practicing or performing they are in the moment. In the joyful moment of who they are. In the moment that’s when we step into our power.

Friday Public Speaking Tips – Clichés

microphone
Your Running Mate

A speaker or a writer who resorts to clichés is often viewed as lazy or slapdash. (Finding Your Voice Ten Steps to Successful Public Speaking) 

Yes that is true but I love a familiar phrase, a welcome platitude or neat idiom and my everyday speak is peppered with  them.  So 3 Tips for speakers fearful of being thought lesser individuals for their use of a ‘well worn phrase.’

Ask yourself is it pertinent to your audience. A certain measure of vulnerability goes down well with most audiences but if you are a giving a keynote speech at a publishing conference – I wouldn’t.

If a cliché gives clout to your words and works in with the rhythm and  style of speech, use it with a sense of drama – a pause and a broad smile works well to put the audience on notice that you are well aware you are slipping in a cheeky little cliché.

Give the cliché a spin –  audiences love  a bit of cleverness with an instantly recognisable phrase. Today’s exercise: Have fun revamping  these common garden phrases – firing on all cylinders and talking the talk and walking the walk

War Within

There is a battle raging within me when I write with the end result in mind of  readers praising my work. My rapacious and fearful ego jigs around in my head, denigrating each hard-earned, hard-worked para’ that appears on the screen.  

My mind runs in circles. Use the thesaurus. Surely that’s not grammatical?  For God’s sake  you can’t write that it’s politically incorrect. You are so-00 ancient history!  Another cliché, really! And the delete key runs hot.

The attachment to achieving validation is my central focus and it cripples me as a writer.  I cannot write with you in mind, it is too hard.  It fills me with fear that I will not live up to your expectations.

The authentic flow of expression comes only when I change the vision of the end result. When I write for the joy of writing. When I write intuitively – to please me, no one else.

Yes I have to be realistic about my work but editing can come once I have the words down on paper.  If I start with the premise that my writing is not good enough then my subconscious will try to prove it every time I sit in front of the computer.   But if I embrace a state of innocence, the joy of words and telling a story, without  the pressure of wanting, or, trying to achieve, I can write freely. That’s when the good stuff happens.