Needed Mentor Co-op for Writers and Artists

alphabet-15461_150During the Renaissance it was the fashion for aspiring artists to attract wealthy patrons who supported the struggling artist or writer and who acted like an agent in finding the right clients for their protégé.  Today if you don’t have the an agent it means you have to do the hard yards to promote yourself.

The disparaging label of self-promoter is often wrongly given to people who network with ease,  people whose nature thrives in the milieu of social networking. How incredibly fortunate you are if you are creative as well as a natural born marketer.

But for the vast majority of us creative folk the marketing of ourselves and our products is an internal battle that is hard fought with the knowledge that if we want to sell or promote our work it comes down to DIY. Each avenue of self-promotion that we study is hampered with fear about our capability to make it work.

How many thousands of writers and artists out in the world know that their lifelong expression of their heart is the only path for them.  Accepting that each day of working at their craft learning, experimenting and honing their creation will be without remuneration of any kind. But then it is complete and for us writers we hawk our manuscripts around the publishing house and for the artists it is the galleries.

Dealing emotionally with the rejections before trying again and again. Buoyed by the stories of house name authors who met the same fate with their first work.  Agatha Christie, five years of rejection, J K Rowling, C S Lewis, Stephen King with his first novel Carrie, Dan Brown’s Da Vinci Code was rejected because it was ‘so badly written,’ eventually picked up by Doubleday and went on to sell 80 million copies world wide and Margaret Mitchell received 38 rejections before her epic work Gone with the Wind was published.

Self publishing of course is a good way to get your work out there but you still have to market it. To me there are few creatives who have that strong action based networking desire and know-how to promote their work.  They would rather be telling the story than selling the story.

What myself and these fellow artists need is a co-operative mentor, a group of people who are there to encourage, advise, guide and when the final product is finished, to promote it. Bit like The Den on ABC television where mentors invest in small operations wanting to grow into full bloom abundance and taking a cut of the business.

Could we make it happen ?What do you think?

Friday Public Speaking Tips – Clichés

microphone
Your Running Mate

A speaker or a writer who resorts to clichés is often viewed as lazy or slapdash. (Finding Your Voice Ten Steps to Successful Public Speaking) 

Yes that is true but I love a familiar phrase, a welcome platitude or neat idiom and my everyday speak is peppered with  them.  So 3 Tips for speakers fearful of being thought lesser individuals for their use of a ‘well worn phrase.’

Ask yourself is it pertinent to your audience. A certain measure of vulnerability goes down well with most audiences but if you are a giving a keynote speech at a publishing conference – I wouldn’t.

If a cliché gives clout to your words and works in with the rhythm and  style of speech, use it with a sense of drama – a pause and a broad smile works well to put the audience on notice that you are well aware you are slipping in a cheeky little cliché.

Give the cliché a spin –  audiences love  a bit of cleverness with an instantly recognisable phrase. Today’s exercise: Have fun revamping  these common garden phrases – firing on all cylinders and talking the talk and walking the walk